Rene Schutzenberger (Mulhouse July 29, 1860, Paris December 31, 1916), also known as Paul Rene Schutzenberger, was a French painter. Born in an Alsatian family of famous brewers, his father Paul Schutzenberger (1829-1897) was a French chemist. The painter Louis-Frederic Schutzenberger (1825-1903) was his cousin. He studied at the Academie Julian under Jean-Paul Laurens. He started to exhibit at the Salon des artistes français since 1891, at the Salon des Independants since 1902 and at the Societe Nationale des Beaux-Arts since 1907. He got an honourable mention at the Salon of 1897 and at the Universal Exhibition of 1900. He practices genre painting, portraits, nudes and landscapes. He treats subjects of the daily life and intimists subjects. His style is close to the Post-Impressionism movement. His drawings are influenced by the Nabis.   Related Paintings of Rene Schutzenberger :. | The Flowery Folding-screen | The Battle | Liseuse a la fenetre | The Jade Necklace | The Perfume |
Related Artists:
Cesare Vecellio
(c. 1530 - c. 1601) was an Italian painter and engraver of the Renaissance, active in Venice. He was the cousin of the painter Titian. Like Titian, he was born at Cadore in the Veneto. He accompanied Titian to Augsburg in 1548, and seems to have worked as his assistant. Many of Cesare's pictures were ascribed, perhaps knowingly, to Titian. In the Milan Pinacoteca there is a small Trinity by Cesare. He died at Venice. The woodcuts for the contemporary fashion book, De gli Habiti Antichi e Moderni di Diversi Parti di Mondo published in Venice in 1590 by Cesare, in large may belong to Christopher Krieger from Nuremberg. Cesare also published a book of prints depicting the jewels of royal crowns, titled Corona delle nobili e virtuose donne (1591). Cesare's brother, Fabrizio di Cadore or Ettore, was little known beyond his native place, for the Council-hall of which he is said to have painted a fine picture. He died in 1580.
favas

Erskine Nicol
British Genre Painter , (1825-1904) was an Irish/Scottish painter. A student of William Allan, Nicol taught in Dublin, Ireland, from 1845-50, at the height of the Irish famine, and considered himself as much Irish as he was Scottish. Much of his work portrays the injustices inflicted upon the Irish population during the 19th century. He was made an Associate of the Royal Scottish Academy in 1855 and an Academician in 1859. Nicol exhibited at the Royal Academy and was made an Associate of the Royal Academy in 1866